By Joshua Thomas
Thursday, 5 May 2011
What have you Learnt About Technologies for the Process of Constructing Thus Product? (Evaluation Question 6)
By Scott Cawkwell, Ian Slade and Bart Lang
How does your media product represent particular social groups? (Evaluation Question 2)
I shall explain how our media product represents particular social groups. Our media product, the film Royal Flush, represents white working class males, the mafia, gamblers and criminals.
Our media product represents white working class males with the characters Jason, the main character, played by Scott Cawkwell and the two Bodyguards Derek and Graham which are played by Ian Slade and Alex Wright. These characters represent white working class males as bodyguards are associated with this background and also Jason is not a very rich man who also has a job outside the film so he can be classed in the category of white working class males.

The Royal Flush can also represent the social group of the mafia with the character Mr Kowalski or The Boss. This character is meant to pursue the profile of a very important and wealthy mafia boss which could also be linked to crime, guns and money. To show that Mr Kowalski is a very important and powerful man he has his own bodyguards and owns the poker club in which one of the scenes is set in.

The social group of gamblers is represented by three characters in our film, Jason, Mr Kowalski and Derek. This is shown in the poker scene in which we see all of these characters taking part in a poker match which is gambling as poker involves betting money. Also the poker club could also suggest our film represents the social group of gamblers.

Lastly the social group of criminals is represented by Jason as we see him cheating and also running away with money. Jason resembles this group as he is being chased by the two bodyguards Derek and Graham. We see him cheating in the poker match by dropping a card and replacing it with another and also as we see him running away with a briefcase full of money.
By Joshua Thomas
In What Ways Does Your Media Product Use, Develop or Challenge Forms and Conventions of Real Media Products? (Evaluation Question 1)
Our media product is a crime thriller and to fit in that genre it has to use and exploit certain elements that have become conventions of the genre over the years. However, to be original, we also need to break the established conventions and form our own paths. In this essay I will explore how we used and challenged conventions of films in our thriller.
I initially we have the plot. This is the element that fits our film in to the thriller genre so easily. The elements that work with the current established conventions of a thriller are:
· Theft
· Gambling
· Mafia gang members
· Chase scenes
These all are well known elements of a classic thriller film. However we were quite original in our plot where we used an industrial estate as a set for our film. We were also original because we used the rarely seen action before narrative technique to set the scene and increase the tension in our film.
In terms of music and sound, we were using the accepted technique of tension through music to build atmosphere in our piece. However, decided to be different by writing our own basic jazzy track and applying it to the piece.
When we thought about cinematography, we generally used already well known techniques like:
· Swish pan
· Point of view shot
· Long shot to show isolation
· Close up shots to show emotion
· Handheld cameras to give a strong impression of movement
Our editing techniques were also fairly well established. We used rapid editing often and sped up much of our footage to keep it snappy and fast paced. We employed fades to simulate the passing of reel time so that we did not have to show full poker hands being played each time.
Overall, I think we stayed true to the thriller genre while still subtly pushing the envelope. However if I was going to do this again, I would have been more different and taken more risks in terms of the plot, editing and cinematography.
By Bart Lang
By Bart Lang
Our final piece
This is our completed thriller
By Ian Slade, Bart Lang, Scott Cawkwell and Josh Thomas
By Ian Slade, Bart Lang, Scott Cawkwell and Josh Thomas
Tuesday, 3 May 2011
Title Sequence
In a general thriller film, the title sequence is to push the viewer onward, into the main part of the story. It provides the hook that drags the audience in. Without it, people will lose interest quickly and this makes getting it right essential.
While the specification requires us to have some opening credits, we plan to do them in a very subtle way, to detract as little interest from following the main story as possible. We want the audience to be fully immersed in the excitement of our thriller and I personally believe that the title sequence should only add to that key immersion. We plan to do this by making the credits in a dark colour that barely stands out from the background. We also want to make themfairly small so as not to take up the entire screen. We hope that this will provide us with the effect we are after.
We also need to decide what information would be appropriate for the introduction. We need to provide information which covers all of our staff members but we don't really need to list all of our jobs. This is a minor detail we will cover more in the editing section.
Bart Lang
While the specification requires us to have some opening credits, we plan to do them in a very subtle way, to detract as little interest from following the main story as possible. We want the audience to be fully immersed in the excitement of our thriller and I personally believe that the title sequence should only add to that key immersion. We plan to do this by making the credits in a dark colour that barely stands out from the background. We also want to make themfairly small so as not to take up the entire screen. We hope that this will provide us with the effect we are after.
We also need to decide what information would be appropriate for the introduction. We need to provide information which covers all of our staff members but we don't really need to list all of our jobs. This is a minor detail we will cover more in the editing section.
Bart Lang
Thursday, 28 April 2011
Tuesday, 5 April 2011
Early Editing Diary- Second Half
This is the editing diary for an early cut of the second half of our thriller.
Edited, scripted and acted by Bart Lang.
Edited, scripted and acted by Bart Lang.
Pitch and Brief
This is the pitch and brief for our thriller opening "Royal Flush".
Edited & Directed by Bart Lang, Presented by Josh Thomas, Bart Lang, Scott Cawkwell and Ian Slade
Edited & Directed by Bart Lang, Presented by Josh Thomas, Bart Lang, Scott Cawkwell and Ian Slade
Wednesday, 30 March 2011
Focus Group Findings
We made a focus group of three adults and three 16 year olds. We chose these ages because it spanned our entire potential audience, bearing in mind our film was predicted to be a 15. This revealed that the people we interviewed and gave our questionnaire to most wanted:
By Bart Lang
- Suspense
- Chase scenes
- Elements of comedy
- Scare scenes
- Romantic elements
- Horror elements
- Shutter Island(2010)
- Salt(2010)
- Sherlock Holmes(2010)
- Silence of the Lambs(1991)
- Psycho (1960)
By Bart Lang
Thursday, 24 March 2011
A Diary Of A Days Filming
We started off our day in Brentwood High Street. We all met there at 09:00 and then immediately moved onto our first location; an industrial estate just behind a petrol station. When we walked onto our first location we checked for any hazards and they were in abundance, so we tried to lower the risk of getting hurt by the glass and industrial traffic by warning every member of the group and then clearing away the majority of the glass that we would be walking on. After we cleared some of the hazards we got the camera set up on a tripod and scouted out where we were going to run and how we would frame the shots to get the best effect possible. On our first take of the first scene it ran smoothly but we decided to try it again to see if our second attempt would look better than our first. On the second take I ran again and turned sharply onto the pavement and ended up slipping in the middle of the road inches away from a moving car. This shook me up so we had a five minute break while I calmed down and another member of our group (Josh Thomas) went back up to town to get some anti-septic wipes for the minor injury sustained in my left leg. After the incident was resolved we went to film our second shot which consisted of my character jumping over a concrete block and running away. This gave the impression of a high tension chase scene. Our next scene was of me running down a straight road, we obviously couldn't do this without it getting boring so we had to do some intense tracking shots and a close up of my face as I was running. This also added to the atmosphere. These shots served the purpouse of filling the gaps and keeping up the tention in between important events. Once we had lots of footage ready for editing, we decided to go and speak to the local Police force as we were attempting to film in a public area using a fake knife. After speaking to the Police Sargent he told us that we could film as long as there was no public in the vicinity which could become distressed. Once we had talked to the police we realised that we had run out of time in wich to film, so we went to finish our last few shots and made arangements to continue shooting another day. After this we went back to our original location and found a shot which we could make look like CCTV so we set up the camera and filmed and then later edited with black and white blur and harelines in the footage to give the impression of CCTV. The last scene we had was difficult as we had to film in the woods. This was awkward because we had to make sure we did not trip over branches which provided health and safety hazards That we had not foreseen. We come up with the idea of doing point of view shots which was difficult as i had to stay still until Bart got to me and stood in my place. The last shot of thriller proved tricky because someone had to jump out from behind a bush, grab my back and pull me into the undergrowth. This took several attempts as we had to find a place where the man wouldn't be seen. Also to make it life like the other actor (Ian Slade) had to yank me back hard. This took several attempts to make it look believable, whilst avoiding injury. After all this we went back to school and imidiatly edited it.
By Scott Cawkwell
By Scott Cawkwell
Friday, 18 March 2011
First Location – Brentwood Industrial Estate
For the first day of filming and for the start of our thriller our group and Alex Wright went to Brentwood Industrial estate to shoot our first shots of the thriller. We immediately found a great place to start filming; a small car park in front of a disused warehouse which had been boarded up and had smashed windows. This provided us with the perfect setting to start filming. The warehouse is supposed to be the location of a poker game but obviously the warehouse is supposed to look like it is all done up inside with the perfect facility for playing poker. In our thriller we have tried to portray “The Boss” as a proliferant gangster. As the warehouse looks very abandoned and smashed up with broken windows and glass everywhere, it was very helpful to us portraying the character of “The Boss”. As the industrial estate is quite large we did have some trouble with cars which Scott found out about quickly. Other shots we took were just outside the Car park and onto a road which leads through, then out, of the industrial estate. Another shot we took was at the bottom of the location; a walkway to a busy road. This was another good spot to carry on our chase scene, however we made sure to be carefull of the cars. The last location in the industrial estate we used was a small wood just behind the warehouses. This was a good place to film as we could show that Jason (played by Scott) had escaped the bouncers which were chasing him. The woods made Jason look very vulnerable because it looks like he has nowhere to run to, which was shown as Ian or Derek catches him unexpectedly.
This Industrial estate is where we filmed.
By Joshua Thomas
Why We Should Have Listened to Our Health and Safety Risk Assesment
The location for our first scene we filmed outside an abandoned warehouse. There was glass all over the place and the floor was damp and slippery. When I was running in the first scene, I tried to turn the corner and slipped onto the floor, just skimming the bumper of a moving car. This was painful; I was in shock for a while and left leg was grazed. We sent one of the members of the group back to the highstreet so he could get me some antiseptic wipes so I could disinfect and clean the wound. We were lucky as this was the first scene of our thriller so we could easily do it again. My jeans were ripped and i had the big cut on my knee the whole way through the thriller so this kept up the continuity.
By Scott Cawkwell
By Scott Cawkwell
Wednesday, 16 March 2011
Character Details
Bouncers
There are two bouncers, Derek and Graham who are employed by “The Boss”. The two bouncers are there to protect the boss in case of emergencies. Both of these bouncers are very strong and both smoke cigarettes within the film. Derek is played by Ian Slade and Graham is played by Alex Wright.
Main Character
The main character in this film is called Jason. Jason is involved in a real poker game which is worth a lot of money. In the poker game Jason cheats by dropping a card under his foot and replacing it with another card up his sleeve. This is why Jason is in trouble with “The Boss” and why he is running from him. Jason is played by Scott Cawkwell.
“The Boss”
The Boss is a very wealthy and powerful man within the film. "The Boss's" name is Mr Kowalski. He is after Jason as Jason cheated in a game of poker which “The Boss” was involved him. We can see that “The Boss” is powerful as he has two bodyguards and also smokes cigars throughout the film. The Boss is played by Josh Thomas.
By Joshua ThomasPlanned Locations for our Thriller
Brentwood Multi-Story car park: We plan to film the scene where the bouncer is dead on the floor, with the main character standing above him with a knife.
Bond's Snooker/Poker Club in Brentwood High Street: We plan to film the poker scene here, where the main character cheats the mafia boss out of his money.
Brentwood Industrial estate, behind police station: We plan to film the chase scene here, where the main character is on the run from the bouncers and gets dragged into an allyway.
By Ian Slade
Tuesday, 15 March 2011
Risk Assessment
Where we have chosen to shoot poses minimal risks for our group. However, certain risks are unavoidable. Such as:
Industrial Estate:
Industrial Estate:
- Broken glass on the floor- Risk: Medium- We will kick any broken glass out of the way before we start to film.
- Risk of tripping during chase sequence- Risk-High- We will also remove any trip hazards and be careful to look where we are going.
- Risk of accidentally tresspassing on private property- Risk: Low- We will make sure to stay off any privatly owned areas.
- Risk of falling off various ledges- Risk: Medium- We will scout the area first and make sure that we know where any ledges are.
- Risk of bieng hit by a car- Risk: Low- We will make sure to not film in the road and if we need to film there, we will make sure to have someone looking out for traffic.
- Risk of being run over- Risk: High- We will film on the top level of the car park where traffic is at its minimum. We will also have someone to spot for cars.
- Risk of being thought to have commited a real crime- Risk Medium- We will talk to the owners of the multi-story car park first before we film.
- Falling out of the edge- Risk: Very low- We will be careful not to wander towards the edge and will employ the use of common sense.
Thursday, 10 March 2011
Bond's Poker/Snooker Club
This club is found in the middle of Brentwood High Street and has the appropriate and right atmosphere for our poker scene.
We plan to film the poker scene here, we sent Josh Thomas, a member of our group over to the club to ask if we can film there. They told us that we can film there providing we pay £10 each in advance as a normal fee. Along with letting us film there, they have additionally lent us the chips and the deck we will need as props in our thriller. Providing we pay the £10 each we are allowed to film there for however long we want during the day as no one is there during the day. The poker tables and chips are also like the ones you can find in casinos in Las Vegas etc which will make the scene more life like and realistic.
By Ian Slade
Characters
We have decided that if there are two people acting in one scene, then the other two people in our group will be filming and directing. However if there is one person acting, everybody else in the group will be behind the camera filming and/or directing.
Ian Slade: Bouncer
Scott Cawkwell: Main character who cheats and runs
Bart Lang: Cameraman
Josh Thomas: Boss
Extra Bouncer: Alex Wright
By Ian Slade
Ian Slade: Bouncer
Scott Cawkwell: Main character who cheats and runs
Bart Lang: Cameraman
Josh Thomas: Boss
Extra Bouncer: Alex Wright
By Ian Slade
Friday, 4 March 2011
Our Argument
When discussing our ideas we had a major argument over what idea we would like to go with; the first idea we had was to kill the boss at the beginning, whereas other members of our group had the idea of having a bodyguard getting stabbed in the first scene. After 30 mins of arguing between both of the ideas we decided to film both of the ideas, this would not take much longer and we could decide which one looks the best and then go with that idea.
By Scott Cawkwell
By Scott Cawkwell
Thursday, 3 March 2011
Thriller sub-genres
Conspiracy Thriller
A Conspiracy thriller is where a hero (maybe led into the situation) uncovers a big conspiracy caused by bad guys. The film would often be all uncovered or “go all the way to the top”. The bad guys are defeated in this kind off sub-genre. Good examples of a conspiracy thriller are The Da Vince code (2006) and Salt (2010).

Crime Thriller
A Crime thriller is where the film focuses on a successful or failed crime. They normally focus on the criminal rather than good guys or victims. Main topics of this type of sub-genre are Killers/murderers, robberies, chases, shootouts etc. Good examples of a crime thriller are Seven or Se7en (1995) and No Country for Old Men (2007).

Disaster Thriller
A Disaster thriller is where within the film a natural or artificial disaster happens e.g. floods, earthquakes, hurricanes, volcanoes as natural disaster. An example for an artificial disaster is a nuclear disaster which can be caused by humans. Examples of a disaster thriller are Earthquake (1974) and 2012 (2009).

Erotic Thriller
An Erotic thriller is where the film consists of erotic scenes but with also the concept of a thriller. Examples of an erotic thriller are Basic Instinct (1992) and Chloe (2009).

Legal Thriller
A Legal thriller is where the film normally focuses on the lawyer trying to prove a case inside the courtroom but also confront their enemies outside the courtroom. He or she may also be in danger of not just losing the case but also losing their lives. Examples of legal thrillers are To Kill a Mockingbird (1960) and Presumed Innocent (1987).

Medical Thriller
A Medical thriller is where the film normally concentrates on the hero who could be a doctor or employee within a hospital saving someone’s life, or to solve a medical problem. Examples of a medical thriller are Extreme Measures (1996) and The Experiment (2010).

Mystery Thriller
A Mystery thriller is where the film is normally full of suspense. Characters normally attempt to solve or are involved in a mystery. Examples of a mystery thriller are Fightplan (2005) and Shutter Island (2010).

Political Thriller
A Political thriller is where the hero/heroine must save or protect the government that employees the person and to keep it stable. Examples of a political thriller are Seven Days in May (1962) and They Day of Jackal (1971).

Psychological Thriller
A Psychological thriller is where a conflict between two characters within the film is mental and emotional, rather than physical. Examples of a psychological thriller are Suspicion (1941) and Pyscho (1960).

Rape and Revenge Thriller
A Rape and Revenge thriller is where the film focuses more on suspense, tension, some action and fast pace rather than scares and supernatural. Examples of rape and revenge thrillers are The Last House on the Left (1972) and Irréversible (2002).

Religious Thriller
A Religious thriller is where the plot closely relates to Religious beliefs, objects etc. The film normally focuses on something that is involved with a religious belief. Examples of religious thrillers are The Da Vinci Code (2003) and Angel Heart (1987).

Supernatural Thriller
A Supernatural thriller is where the film brings in an aspect of other worlds with also suspense, tension and twists within the plot. In some films the hero/heroine may have special abilities like being psychic. Examples of a supernatural thriller are Lady in the Water (2006) and Fallen (1998).

Techno Thriller
A Techno thriller is where the film brings suspense with also sophisticated technology playing a big part within the film. Examples of a techno thriller are Jurassic Park (1993) and I, Robot (2004).

By Joshua Thomas
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